Naples

Category : inspiration

Alright, so this whole reentry into civilian life is going slower than anticipated. I’m just now starting to feel normal again. So how was my glorious trip to Italy? Let’s talk about Naples first. I was there three days, smack dab in the middle of the trip.

Before I go there everyone that I talked to said that I’d get robbed in Naples.

I didn’t get robbed in Naples. Everyone was really nice to me in Naples. Even the cab driver didn’t rip me off in Naples; he told me exactly how to get to the center and made sure I understood and remembered what he told me.

The streets are crowded with people walking and people on Vespas and people in their tiny cars, and they’re all moving at the same time, not stopping for traffic lights or anything, just sort of dodging and weaving around each other. At one point I was stopped at an intersection trying to figure out how exactly I was going to get across and this woman came up behind me and said “What are you doing? You can’t just stand there, you have to go, come on, we’re crossing the street now, come with me.” In Italian. I laughed and followed her lead.

The art is all baroque, and really baroque, not just a little bit baroque, over the top marble in six different colors and gold leaf and red and columns and more columns, and some fat winged babies holding up the ceiling, and more gold leaf and more marble. And the paint’s all peeling since it’s kinda been downhill for the last 150 years, but still, and more gold leaf. And the ceilings are loud and the floors are loud, and you go outside and sit in the piazza and realize that there are actual Italians there, big beefy Italian guys yelling at each other, and small dirty kids playing soccer. And most of the people in the churches are actually praying, they’re not tourists taking pictures of each other like in Rome. Because there’s fewer tourists here, because you know you’re going to get robbed in Naples, and also there’s graffiti on everything, including the churches, and it’s kind of filthy but that’s OK because there’s also the seaside and that’s amazing.

And there’s these strange cult-y shrines in alleys, and really fresh seafood, and really cheap pizza, and good street food, and sfogliatelle, which is more or less sweet cinnamon ricotta wrapped in butter, and really strong really good coffee. And a volcano! That might explode at any minute! Can’t stop for a traffic light, might die at any minute!

And the bus system doesn’t really work, but that’s OK because on the way back to the train station I stood at the bus stop that said that there would be a bus that went to the train station, and waited, and then started talking to one of the senior citizens waiting for the bus, and she told me that the bus I wanted didn’t stop there anymore, they got rid of that bus, despite what the sign said, and her friend told me don’t worry, we’ll figure it out, come with us, and so I got on the other bus with a gang of Neopolitan senior citizens, who then argued amongst each other, and other people on the bus, and the driver, for ten minutes about what was the best way to get to the train station, and then they came to a conclusion, and hurried me off the bus, where I had to then somehow cross four lanes of Neopolitan traffic, which I managed, and I got back to the train station.

The end.


I’m back!

Category : inspiration
Rome- Santa Maria Maggiore
Rome- Santa Maria Maggiore

Back after 10 days in Italy. Amazing! I ate everything! I walked everywhere! I saw everything! I’m still catching up. More soon. In the meantime- the Baroque! (see above).


Print/Out

Category : inspiration

I went to see the Print/Out-Printin’ print explosion at MOMA on Monday and like many, thought the polka dots were migraine-inducing. Also, I hate extraneous punctuation.

I loved the installation of etchings by Thomas Schütte, and the artist books by Dan Walsh, and there were many other individual good things to see in the bigger show, but I generally felt like I was being yelled at by an over-intellectualized friend. It’s nice that you like prints now, but why are you spitting in my face? The Printin’ show on the second floor was much more human-scale and full of pleasant surprises.

I couldn’t take photos in the main part of the show, but here’s what the rest of my day looked like.


Yoko Inoue

Category : inspiration

I went to the opening of  (former CBA workspace resident) Yoko Inoue‘s installation at Smack Mellon on Saturday. It’s a fantastic, overwhelming accumulation of thousands of hand-cast ceramic hybrid objects that mimics the visual clamor of a marketplace. You should go see it if you’re in NYC. I might have to go again, as it’s the kind of installation where you’re constantly finding few things to look at. My favorites are the fuzzy cat masks, followed closely by the the sad bunnies in the corner.

Yoko Inoue
Mandala Flea Market Mutants:
Pop Protocol and the Seven
Transformations of Good-luck
National Defense Cats

Exhibition Dates:
March 17- April 22, 2012

Apparently she’s going to be onsite for the duration of the exhibition, so you can say hi as well.

Smack Mellon
92 Plymouth Street @ Washington
Brooklyn, NY 11201

Gallery hours are Wednesday – Sunday, 12:00pm to 6:00pm


Good relationships are also made slowly.

Category : book, inspiration

The commitment to make an immutable, finite set of bound pages can lodge a protest against the tyranny of time, and its mechanistic sidekick, timeliness. To make books by hand is to opt for slowness, rumination, patience, commitment to ideals, and for length. Good relationships are also made slowly.

Harry Reese and Sandra Liddell Reese

Turkey Press website.

 


Training.

Category : inspiration

I am currently training for the NYC Marathon. Bizarre! If you knew me in one of my past lives, you would think this was very, very surprising. I recently saw my oldest friend, the one who told me once, ‘you know, you can never surprise me, because whenever you say that you would never do something, I know that at some point down the line you’ll flip and do that very thing.’ Even she can’t get over it.

It’s surprising to me too. I’m doing things I never expected myself to do, like buying  sports lube; waking up at 5:30 am so I can fit in 8 miles before work; taking an ice bath (cold!); rolling my thighs back and forth on a large tube of styrofoam. And other exotic pursuits.

I plan my week around running. I plan my work around running. I have more running shoes than any other kind of shoe. My cat is happy, as he really enjoys rubbing his face in a nice stinky running shoe, so the more of those around the house, the better.

I run very slowly, which is good in this case, because you supposed to run slowly when you run for several hours, especially the first time. And what I think prepared me for running long distances slowly is letterpress. No, really! I’ve developed this ability to put together larger things very slowly and patiently out of smaller things. Like setting metal type by hand, building up a form out of small pieces of type and spacing and leading, troubleshooting, testing, resetting, adjusting, proofing, adjusting again. It’s just like training: starting with a shorter distance, gradually building over time piece by piece to a longer distance and then another longer distance and then another longer distance after that. Delaying gratification. Developing a longer attention span. Trying one thing, realizing that kind of shorts makes you chafe, trying another, eating gels, regretting eating gels, trying those chew things instead. Stretching and resting. And eating! Did you know you can’t print letterpress on an empty stomach? It’s just asking for trouble if you’re hungry and trying to get something that finicky just right. Eating is an important part of both letterpress printing and endurance sports.

“Practice” is a word that gets used a lot in craft as a verb, and in art as a noun, so much so that I get tired of hearing it. But the actual practice of practice, I can’t get enough of. I’ve built a life made of small pieces of practice: running in the morning, carving blocks at night, setting type on the weekends, administering the heck out of the arts the rest of my waking hours (which is a whole other topic). I like the structure of it. This week has been eventful so far, in ways that perhaps aren’t so great for me, but that structure at least is something to fall back on.


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